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Thomas Dahl & Court - Quilter '2018; 2019

24bit
Quilter
ArtistThomas Dahl & Court Related artists
Album name Quilter
Country
Date 2018; 2019
GenreContemporary Jazz
Play time 52:29 min
Format / Bitrate 24 BIT Stereo 2429 Kbps / 96 kHz
Media WEB
Size 291 MB; 1.07 GB
PriceDownload $8.95
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Tracks list

Thomas T Dahl guitar
Harmen Fraanje piano
Magne Thormodsæter bass
Håkon Mjåset Johansen drums

Lines. The bass begins to walk before piano-figures, percussion, and a singing
guitar enter. The different instruments seem to follow their own logic,
expanding tones and figures more than themes or melodies. At the same time, the
musicians appear to insist that tones and figures are the building blocks of
lines and melodies, while simultaneously displaying how the single
musician’s lines by necessity exist in relation to the other
musicians’ playing. This is, of course, not revolutionary in any way.
This is how musicians interact. At the same time, Thomas Dahl and the musicians
in Court use this basic level of musical interaction to interesting results. On
“Hermit,” the opening track, these interactions are added one upon
the other, and the music we hear emerges out of interactions more than appearing
planned ahead of time. When a musician decides to lay off, other sonorities
develop, clearest towards the end of the track where the musicians in addition
also work with individual times, so that the music also expands temporality
– resulting in yet another layer of musical complexity.
Layers. Layers are more important for this music than complexity. A musician or
a musicologist might choose to focus on complexities because it supposedly gives
more street-cred than other musical parameters, and admittedly, any multilayered
music has the potential for being read as presenting an increasing level of
complexity. Focusing upon complexity or musical density might also be a way of
describing musical form. While all these dimensions might be true, the music on
this album is not first and foremost heard as complex. The layers of music from
the different musicians feel more like a conversation than individual lines. As
such these compositions seemingly ask questions about the relations between each
singular musician and the collective of the band. While the album is presented
as an album by Thomas Dahl & Court, and while the songs are composed by Dahl,
the result is chamber music without any egos standing in the way. Dahl’s
guitar and Harmen Fraanje’s piano are the primary melodic contributors on
a first hearing, but Magne Thormodsæter’s bass and Håkon Mjåset
Johansen’s drums also contribute melody, not least when melodies are
primarily, as I wrote above, a result of expanded tones and figures.
Listening. If one chooses to listen to the different layers as interlocking
melodies a new perspective arises. The different musicians move in and out of
focus, not primarily by what they are playing, but by how we as listeners decide
to listen. At one point on “A Wall” I focused upon Thormodsæter
as the primary melodist, and it was as if the music became a picture turning
slightly. But without me choosing, Mjåset Johansen’s cymbals came into
focus, and the music felt like turning slightly again and a new picture arose.
It is not that the music feels “visual” – calling the sounds
a picture is a metaphor – it is rather that the compositions give
themselves to being listened to with different entry-points. This is another
dimension of the layered compositions coming to the fore; the fact that this
album can be listened to several times without sounding the same – the
chamber playing contributes continuous changed perspectives where the ongoing
conversations between the musicians are heard as if for the first time. Another
layer is added to the conversation. We are not just eavesdropping on musicians
playing together, as listeners we are forming what we are hearing in an
interaction between the musicians and us. Given the almost understated
musicality of the band, the fact that none of them are insisting on being the
focus of our attention, the album becomes itself again and again.

Tracklist:
01. Thomas Dahl & Court - Hermit (5:30)
02. Thomas Dahl & Court - A Wall (7:37)
03. Thomas Dahl & Court - Ballestre (7:37)
04. Thomas Dahl & Court - So and So (3:58)
05. Thomas Dahl & Court - Dice (5:15)
06. Thomas Dahl & Court - Rad 3310 (8:33)
07. Thomas Dahl & Court - Quilter (8:52)
08. Thomas Dahl & Court - Procession (5:07)

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