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Ennio Morricone - Un genio, due compari, un pollo '1975; 2020

Un genio, due compari, un pollo
ArtistEnnio Morricone Related artists
Album name Un genio, due compari, un pollo
Country
Date 1975; 2020
Genre
Play time 00:32:15
Format / Bitrate Stereo 1420 Kbps / 44.1 kHz
MP3 320 Kbps
Media CD
Size 203 MB
PriceDownload $1.95
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A 1975 comedy western, Un Genio, Due Compari, Un Pollo (whose literal
translation is one of the great film titles – sadly it was released more
mundanely as The Genius in English-speaking countries) was marketed in some
territories as a sequel to My Name Is Nobody, though it isn’t really.
Terence Hill does star, as a con-man who hatches a plan to steal a load of money
from a fort (under the command of Patrick McGoohan); Damiano Damiani directed,
the great Sergio Leone helmed the opening sequence, and you-know-who was on-hand
to score.

Ennio Morricone was nearing the end of his list of westerns by this time and
while there isn’t much that is genuinely fresh in it, it’s still
overflowing with creativity and brilliance. It is very much a continuation of
the sound of My Name Is Nobody – a genuinely brilliant score bursting
with great themes and comic touches.

The main theme is a direct offshoot of that score’s; a silly tune but an
instantly-memorable one, lots of pop elements alongside the Morricone western
theme trademarks. Another offshoot is the unbelievably good
“Cavalcata… Per Elisa” which does for Beethoven what
“Mucchio Selvaggio” did for Wagner. The way he integrates one of the
most famous melodies in musical history is pure genius.

There are some other brilliant lighter moments – “Pepper
Chewing-Gum” is a great tune, “Quando Arriva l’Amore”
is light romance, making great use of Edda dell’Orso and the choir.
It’s a lighthearted movie and pieces like these reflect that –
they’re so much fun. Best of all is probably the totally bonkers
variation on the main theme in “Questa Pazza, Pazza Corsa” with a
frankly ludicrous effect running through it which sounds like a dog barking,
male and female choir making various noises, all set amongst various up-tempo
pop instruments.

There are some more serious, dramatic moments too though. “Il Pollo”
is one – one of those last-man-standing type pieces that Morricone did so
well in so many of these films. “Ansia dell’Oro” opens with a
striking adventure theme, a picture of wide-open-spaces and bliss, before its
much more suspenseful second half (amongst the most “serious” music
on the album but there’s another suspense cue a bit later, the quirkier
“Partita a Poker”).

There’s a beautiful original gospel-type song, “Glory, Glory,
Glory” which is sung in English by Catherine Howe; its orchestral
arrangement in “Dolore e Gioia” is stunningly beautiful.

Tracklist:
01. Ennio Morricone - Un genio, due compari, un pollo (03:54)
02. Ennio Morricone - Pepper Chewing Gum (02:43)
03. Ennio Morricone - Cavalcata… Per Elisa (03:17)
04. Ennio Morricone - Un bacio asfissiante (01:12)
05. Ennio Morricone - Il pollo (03:17)
06. Ennio Morricone - Suspense per Joe (02:11)
07. Ennio Morricone - Quando arriva lamore (03:37)
08. Ennio Morricone - Ansia delloro (02:30)
09. Ennio Morricone - Questa pazza pazza corsa (02:38)
10. Ennio Morricone - Glory, Glory, Glory (02:47)
11. Ennio Morricone - Partita a Poker (01:16)
12. Ennio Morricone - Dolore e gioia (01:27)
13. Ennio Morricone - La miccia (01:23)

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