Noriko Ogawa - Erik Satie: Piano Music, Vol. 1 '2016
24bit
Artist | Noriko Ogawa Related artists |
Album name | Erik Satie: Piano Music, Vol. 1 |
Country | |
Date | 2016 |
Genre | |
Play time | 01:18:04 |
Format / Bitrate | 24 BIT Stereo 2429 Kbps / 96 kHz |
Media | WEB |
Size | 262 mb / 1.2 gb |
Price | Download $9.95 |
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Pre-order albumTracks list
Tracklist --------- 01. Gnossiennes: No. 1, Lent 02. Gnossiennes: No. 2, Avec etonnement 03. Gnossiennes: No. 3, Lent 04. Gnossiennes: No. 4, Lent 05. Gnossiennes: No. 5, Modéré 06. Gnossiennes: No. 6, Avec conviction et avec une tristesse rigoureuse 07. Gnossiennes: No. 7, Le fils des étoiles 08. Le piccadilly 09. Chapitres tournés en tous sens: I. Celle qui parle trop 10. Chapitres tournés en tous sens: II. Le porteur de grosses pierres 11. Chapitres tournés en tous sens: III. Regrets des enfermés 12. Avant-dernières pensées: I. Idylle 13. Avant-dernières pensées: II. Aubade 14. Avant-dernières pensées: III. Méditation 15. Croquis et agaceries dun gros bonhomme en bois: I. Tyrolienne turque 16. Croquis et agaceries dun gros bonhomme en bois: II. Danse maigre 17. Croquis et agaceries dun gros bonhomme en bois: III. Españaña 18. Sonatine bureaucratique: I. Allegro 19. Sonatine bureaucratique: II. Andante 20. Sonatine bureaucratique: III. Vivace 21. Poudre dor 22. Embryons desséchés: I. DHolothurie 23. Embryons desséchés: II. DEdriophthalma 24. Embryons desséchés: III. De Podophthalma 25. Descriptions automatiques: I. Sur un vaisseau 26. Descriptions automatiques: II. Sur une lanterne 27. Descriptions automatiques: III. Sur un casque 28. Heures séculaires et instantanées: I. Obstacles venimeux 29. Heures séculaires et instantanées: II. Crépuscule matinal 30. Heures séculaires et instantanées: III. Affolements granitiques 31. Prélude en tapisserie 32. 3 Valses distinguées du précieux dégoûté: No. 1, Sa taille 33. 3 Valses distinguées du précieux dégoûté: No. 2, Son binocle 34. 3 Valses distinguées du précieux dégoûté: No. 3, Ses jambes 35. Je te veux 36. 3 Gymnopédies: No. 1, Lent et douloureux 37. 3 Gymnopédies: No. 2, Lent et triste 38. 3 Gymnopédies: No. 3, Lent et grave 150 years after his birth, Erik Satie is still one of the great enigmas of classical music a composer who said of himself I am not fond of jokes I never make jokes but is nevertheless regarded as one of the great tricksters of Western music; who at one stage was involved with esoteric societies such as the Rosicrucian Order and founded a church of his own (the Metropolitan Art Church of Jesus the Conductor), and inventing the genre furniture music that, for Satie, was fundamentally industrial, similar to light, heat and all the forms of comfort. In this anniversary year, Noriko Ogawa launches a complete set of Saties music for solo piano a body of works which includes the sets of Gnossiennes and Gymnopédies, which through their use in countless movie sound tracks have reached and affected audiences across the planet, pieces that Satie wrote for his own use when working as a bar pianist (Je te veux, Le Piccadilly), parodies on other composers (Sonatine bureaucratique is a spoof on a sonata by Clementi) as well as experiments such as Vexations, a brief theme with chordal accompaniment which according to an instruction in the score is to be played 840 times! Noriko Ogawa, whose wide-ranging and acclaimed discography includes music by Mozart and Rachmaninov as well as complete recordings of the piano music by her compatriot Toru Takemitsu and by Debussy (a friend and rival of Saties) performs all of this on an instrument from Saties own time an exquisite Erard grand piano built in 1890, the very year that Satie composed his Gnossienne No. 1 which opens this disc and new cycle.