Evelyn "Champagne" King - Legends '2005

Tracks list

Tracklist:

Disc 1 

1. Shame (06:33)
2. I Don't Know If It's Right (08:17)
3. Music Box (03:23)
4. Out There (04:13)
5. Let's Get Funky Tonight (03:31)
6. I'm In Love (05:02)
7. Don't Hide Our Love (04:12)
8. Spirit of the Dancer (04:52)
9. Love Come Down (03:37)
10. Betcha She Don't Love You (03:59)
11. Get Loose (03:34)
12. Action (03:20)
13. Shake Down (03:56)
14. Teenager (04:03)

Disc 2 

1. Just for the Night (Remastered) (04:44)
2. Out of Control (7" Version) (05:32)
3. Till Midnight (05:00)
4. Your Personal Touch (Edited Version) (03:55)
5. High Horse (03:59)
6. No Time for Fooling Around (03:32)
7. If You Want My Lovin' (03:06)
8. Back to Love (03:17)
9. The Other Side of Love (03:59)
10. I Need Your Love (06:18)
11. Let's Start All Over Again (03:51)
12. Till I Come Off the Road (02:42)
13. I Can't Stand It (03:53)
14. Smooth Talk (05:30)

Disc 3

1. We're Going to a Party (03:18)
2. The Best Is Yet to Come (05:17)
3. Steppin Out, Pt. 1 (03:58)
4. Don't It Feel Good (04:08)
5. What Are You Waiting For (04:11)
6. Face to Face (04:57)
7. Tell Me Something Good (05:12)
8. Makin' Me So Proud (04:19)
9. Let's Get Crazy (04:00)
10. The Show Is Over (05:36)
11. Make Up Your Mind (05:02)
12. Your Kind of Loving (03:49)
13. Give Me One Reason (03:57)
14. Dancin', Dancin', Dancin' (02:59)


 moreAlthough it occurred at the headquarters of an esteemed record label
through a familial connection, the discovery of Evelyn King's singing talent was
happenstance. King's mother and sister had jobs cleaning the offices of
Philadelphia International Records. One night, King's sister couldn't make it,
so King filled in. No one else was supposed to be in the building, but T. Life
-- a songwriter, producer, arranger, and musician deeply involved with PIR and
the Philly scene at large -- was in the hallway and overheard King singing Sam
Cooke's "A Change Is Gonna Come" as she worked. King had sung in church and with
her siblings, and performed with bands that covered Labelle and Rufus & Chaka
Khan (two of her biggest inspirations), but she wasn't intending to land a
record deal. After all, she was only 14 years old. Knocked out, T. Life
approached PIR heads Kenny Gamble and Leon Huff about signing King. They passed.
Undaunted, King and Life recorded a demo that interested RCA after it sat in the
label office for over a year. With the support of King's parents -- father Erik
had performed with assorted doo wop acts, and mother Johnniea had managed a
group -- the teenager signed a contract through Life's production deal with RCA.

Aided by T. Life and many of his Philly associates, such as Bunny Sigler, Dexter
Wansel, and members of Instant Funk, King cut Smooth Talk. Propelling the album
was the John Fitch and Reuben Cross composition "Shame," which entered
Billboard's dance chart in October 1977 (at which point King was 17 years old).
A sleeper hit, it didn't reach the R&B and pop charts until six months later,
but went Top Ten on both charts, just as it did on the dance survey. "I Don't
Know If It's Right," a funkier follow-up written by Life and Fitch, also went
Top Ten R&B and reached number 23 on the Hot 100. Both singles were certified
gold, as was Smooth Talk. King and Life in 1979 scored another gold LP together
with Music Box, featuring a pair of smaller hits with the title song and "Out
There." Sweet Delight arrived the next year but was quickly withdrawn after a
cool reception to its incorporation of rock. Call On Me, quickly assembled as a
replacement, was equally split between Sweet Delight material and new songs,
including the storming "Let's Get Funky Tonight," which returned co-writer King
to the upper reaches of the dance chart.

The majority of the material on King's 1981 and 1982 studio albums, I'm in Love
(number 28 pop, number six R&B) and Get Loose (number 27 pop, number one R&B),
were made with Morrie Brown, Kashif, and Paul Laurence, a trio of songwriters
and producers that in varying combinations achieved success around the same time
with Melba Moore, Howard Johnson, and High Fashion. King was therefore a major
factor in pop-oriented R&B's transition into the use of drum machines and
synthesizers -- a sound for which her effervescent voice was perfectly suited.
(RCA ironically opted to remove King's nickname from these releases.) I'm in
Love and Get Loose brought six charting singles highlighted by "I'm in Love" and
"Love Come Down." Both songs topped the R&B and dance charts. The former reached
number 40 on the Hot 100, and the latter climbed to number 17. King released
three additional RCA albums on an annual basis through 1985. Face to Face, So
Romantic, and A Long Time Coming saw her work with the likes of Solar Records
studio mastermind Leon Sylvers III and Foster Sylvers, André Cymone, the
System, and Jimmy Douglass, as well as Rufus' Bobby Watson and Hawk Wolinski,
and T. Life again. "Action," "Shake Down," and "Just for the Night" all cracked
the R&B Top 20. "Your Personal Touch," carried out by the team of Allen George
and Fred McFarlane, peaked inside the Top Ten of the R&B and dance charts. King
finished out the '80s on EMI with Flirt, released in 1988, and The Girl Next
Door, issued in 1989. Leon Sylvers III helped her adapt to new jack swing and
house, two developments that can be traced through the collaborators' individual
works through the early '80s. The biggest hit from those two albums was "Hold On
to What You've Got," King's last single to go Top Ten R&B and dance.

King released one new studio album in each of the next two decades. In 1995,
with support from the Expansion label in the U.K., she issued I'll Keep a Light
On, featuring contributions from Larry Graham, Billy Preston, Jeff Lorber, and
King's husband, guitarist/producer Freddie Fox. Shortly after that, King herself
was featured on Divas of Color's number ten dance hit "One More Time." Open
Book, King's next LP, was issued independently in 2007. Its biggest hit was the
"The Dance," which almost placed higher than "One More Time." In addition to
featured roles and headlining singles such as 2015's "Dance All Night," King has
continued to perform into the 2020s. © Andy Kellman



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