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2024 0-9 z y x w v u t s r q p o n m l k j i h g f e d c b a

Various Artists - The Power of the Heart: A Tribute to Lou Reed '2024

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The Power of the Heart: A Tribute to Lou Reed
ArtistVarious Artists Related artists
Album name The Power of the Heart: A Tribute to Lou Reed
Country
Date 2024
GenreRock
Play time 51:16
Format / Bitrate 24 BIT Stereo 2429 Kbps / 96 kHz
Media WEB
Size 1.02 GB / 310 MB
PriceDownload $8.95
Order this album and it will be available for purchase and further download within 12 hours
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Tracks list

Tracklist:

1. Keith Richards – I'm Waiting for the Man (04:14)
2. Maxim Ludwig & Angel Olsen – I Can't Stand It (02:58)
3. Rufus Wainwright – Perfect Day (03:31)
4. Joan Jett & The Blackhearts – I'm So Free (02:32)
5. Bobby Rush – Sally Can't Dance (04:05)
6. Rickie Lee Jones – Walk on the Wild Side (04:55)
7. The Afghan Whigs – I Love You, Suzanne (03:06)
8. Mary Gauthier – Coney Island Baby (07:13)
9. Lucinda Williams – Legendary Hearts (03:00)
10. Automatic – New Sensations (04:41)
11. Rosanne Cash – Magician (04:52)
12. Brogan Bentley – The Power of the Heart (06:04)


 moreThe Power Of The Heart: A Tribute To Lou Reed will be available on
Silver Nugget Vinyl exclusively for Record Store Day (April 20) at participating
independent retailers. Additionally, the album will arrive on CD and digital
platforms on the same day. All physical formats include photos of Reed by Mick
Rock and Timothy Greenfield-Sanders, plus extensive liner notes by the
album’s producer: writer and record producer Bill Bentley, who worked
closely with Reed for over 25 years.

"To me, Lou stood out. The real deal! Something important to American music and
to ALL MUSIC! I miss him and his dog." - Keith Richards

“Lou Reed is why I write songs, why I read books, and why I stand up for
myself. Country music is three chords and the truth. Lou only needed two chords
to do that.” - Maxim Ludwig

“Lou Reed is my earliest influence, my introduction to punk rock. This
song was a great opportunity to creatively work with Maxim.” - Angel Olsen

"Lou Reed has been gone now for many years. He's one of the few people whom I
miss as much now as when he left. There are so many instances where I wonder
what he would say or what he would think. His general aura would always lend
something really unique to the room. Thank God he left his great music and
recordings. His personality is sorely missed. Love you, Lou." - Rufus Wainwright

"I bought Lou Reed's Transformer album after buying the single, “Walk on
the Wild Side,” in the mid 70s, wanting to learn more about that wild
side. I fell in love with Lou’s vocal style, his descriptive, poetic,
real life lyrics, and his song, “I’m So Free.” And I learned
something, too, as I wanted to know the meaning of St. Germaine in this
context." - Joan Jett

"Lou Reed was a great artist and writer. I feel blessed to be a part of a
tribute to him. I'm glad that I was able to contribute "Sally Can’t
Dance," as a man that came from a dancing family and background. Most black men
and women dance a lot. If Sally can't dance, let me be the one to teach her how
to dance. Like the title track of my album from twenty years ago, "Undercover
Lover," I want to be the undercover teacher… to teach her to dance
underneath the covers. Sally will know how to dance when I get through with
her." - Bobby Rush

It was not easy to find a new way into his song. It evolved one night—an
old woman at an old out-of-tune piano and turned a page of her life. The
limerick passages of ‘Walk on the Wild Side.’ A nasty
schoolboy’s scribble on a wall. I changed the chords, added a bar or two,
emphasized the dark conclusion of each verse. That double bass line is not only
the most recognizable instrument on the original track, it is the only melodic
instrument, so I opted for no bass, only a faint rumor of that mesmerizing line.
Mike Dillion came in to play percussion and vibes. I called upon the spirit of
James Booker and I, way back in the old days—or rather the old
nights—in the French Quarter of New Orleans, singing whatever we wanted,
to whoever was listening until the hour we could run off and get high somewhere
in solitude. In this version I hear whistles, trains, voices in the night. There
is noise. Yes, there, that is where ‘Walk on the Wild Side’ lives,
and can be made new, through the evolution of the spirit. - Rickie Lee Jones

"Lou Reed's music was vital to young people like me who felt stranded in the
middle of nowhere. A rough urban song poet of astounding vulnerability and
brutal honesty, he saw—and described—the world as it was. Pure
emotion. Pure reality, immense compassion. I love "talk-singers." That was
Lou—his words were raw and real. But there was always melody. And always
a (heart) beat. It would be impossible to count the small town dreamers like me
who followed his voice to find their own.” - Mary Gauthier

“This song is about sobriety. The same way Lou was able to describe with
intense detail, the feeling of doing heroin, he does with this song about the
feeling of being sober: the heightened senses, enjoying simple pleasures,
experiencing new sensations. This song captures that feeling of heading out on a
journey of discovery, whether you’re on drugs or sober, it’s two
sides of the same coin.” - Automatic

“Lou seemed fearless to me; like he’d rather die than be a
people-pleaser. I took inspiration from that.” - Rosanne Cash

“‘The Power of the Heart’ is Lou’s love song to Laurie
Anderson. I aimed to embody the vulnerability and softness of Lou’s love
for her and the love we’ve all experienced for another person at some
point in our lives. When we access the Power of the Heart, we access an
infinitely loving spiritual intelligence that has the power to transform
anything and everything.”

- Brogan Bentley 



The Power of the Heart: A Tribute to Lou Reed Hi-Res.rar - 1.0 GB
The Power of the Heart: A Tribute to Lou Reed FLAC.rar - 310.6 MB

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